Ansbach
Platenstraße 4, 91522 Ansbach, Deutschland
mondo galerie - Annelies Schindler | Studio & Art
The mondo galerie by Annelies Schindler is much more than just an exhibition space in Ansbach. Located in the House for Art at Platenstraße 4, it combines gallery, studio, workshop, and creative meeting space into a comprehensive location where painting, guest contributions, and special events are closely intertwined. Those searching for mondo galerie ansbach, annelies schindler, opening hours, directions, or parking will find a place that is consciously run personally while remaining open to changing art forms. The location in the Ansbach old town, the mix of its own works and guest artists, as well as the regular program with openings, concerts, and readings shape the profile of this venue. ([mondo-atelier.de](https://www.mondo-atelier.de/))
Opening Hours, Directions, and Parking in the Ansbach Old Town
The mondo galerie is located in the House for Art, Platenstraße 4, 91522 Ansbach, and is thus positioned right in the old town. The website describes the location very specifically: about 20 meters from Martin-Luther-Platz and around 3 minutes from Rezat parking lot. This proximity to the city center is practical for visitors, as the walk remains short and the gallery visit can be easily combined with a stroll through the old town. At the same time, the address on a side street ensures that the place retains a quiet, focused character despite its central location. ([mondo-atelier.de](https://www.mondo-atelier.de/mondo-galerie-ansbach.php))
The regular opening hours, according to the official site, are Wednesday, Saturday, and Sunday from 2 PM to 5 PM. Additionally, the gallery is open by appointment, even on weekends and holidays, and the contact page explicitly states that appointments can also be made by phone or email. For inquiries regarding opening hours, Wednesday, Saturday, Sunday, or by appointment, this is particularly relevant because the gallery is not only bound to fixed visiting windows but can also respond flexibly to requests. Especially during exhibitions, the times may vary, so a quick look at the current notices remains sensible. ([mondo-atelier.de](https://www.mondo-atelier.de/contact-us.php?utm_source=openai))
Another practical point is the so-called active winter rest: From Christmas until the end of February, the gallery is only open by appointment, according to the official site. This allows the operation to respond to the seasonal structure of the house and makes it clear that visits in winter should be planned more consciously. This information is important for guests who come specifically for an exhibition, an art discussion, or a special appointment. The focus on appointments rather than pure walk-in business fits well with a location that understands art as a personal experience and not as an anonymous retail space. This also facilitates planning for groups, collectors, or interested parties traveling from afar. ([mondo-atelier.de](https://www.mondo-atelier.de/contact-us.php?utm_source=openai))
The House for Art: Spaces, History, and Special Use
The current mondo galerie is closely linked to the House for Art, which is described as a space for gallery, workshop, studio, and storage. The official artist page notes that the location was established in 2024 in Ansbach at Platenstraße 4, creating a new organizational center for Annelies Schindler's work. In retrospect, it also becomes clear that the gallery was still present in the Ansbach old town at Platenstraße 14 in 2023 before moving to the new House for Art. For the search terms house for art ansbach or studio gallery ansbach, this connection between development and location change is crucial. ([mondo-atelier.de](https://www.mondo-atelier.de/%C3%BCber-mich.php?utm_source=openai))
The house is not only an exhibition space but a consciously multifunctional place. The official description speaks of an artist house that offers space for creative activities and is open not only for painting but also for other art forms and interdisciplinary actions. Mentioned are an exhibition space, a spacious workshop, an office, dry storage rooms, and a rooftop apartment for temporary artist stays. Additionally, according to the gallery page, a rooftop apartment will even be available from mid-April 2026, further shaping the concept of creative stays that combine living, working, viewing, and possibly exhibiting under one roof. This makes the location interesting for artists who want to immerse themselves in the environment for a period rather than just visiting briefly. ([kulturforum-ansbach.de](https://www.kulturforum-ansbach.de/unsere-kuenstler-innen/mondo-annelies-schindler))
Also noteworthy is the idea of openness. The House for Art is not a closed white cube space without context but a lively working environment where exhibition, production, and encounter intertwine. The gallery speaks of monthly changing exhibitions that are complemented by events and guest contributions. This not only allows for continuous thematic renewal but also a strong identification with the place. For visitors, this creates a place that feels different at each appointment: sometimes focused on new painting, sometimes expanded by music, readings, or an artist discussion. This combination of architecture, use, and program forms the profile of the House for Art and explains why it is perceived as a special cultural place in Ansbach. ([mondo-atelier.de](https://www.mondo-atelier.de/))
Exhibitions, Guest Artists, and the Current Program
A central search interest surrounding the mondo galerie concerns exhibitions and the current program. The official website makes it clear that monthly changing exhibitions by Annelies Schindler and guest artists are shown in the House for Art. The documented titles range from “Back,” “Wiped Out,” and “PhantUpcycled” to “WinterWorld,” “Towards the Sun,” “Crosswise,” “Vital,” and “FINE ART - in a fine way” to “Who We Are,” “They Don’t Speak, But Say Everything,” “Light and Form,” “ansBACH,” “Stone & Paper,” “retro 15,” and “hunD+CHatz.” This range shows that the place is thematically open while clearly focusing on artistic quality and a distinct signature. ([mondo-atelier.de](https://www.mondo-atelier.de/mondo-galerie-ansbach.php))
Furthermore, the program points are not limited to hanging and opening. The gallery documentation includes author readings, music evenings, artist discussions, and concerts. Among others, a reading with Hermann Lennert, a concert with Alejandro Conza, a reading walk in the Ansbach city center, and events with Pohl&Pohl are mentioned. This expands the place from a pure art exhibition to a cultural address where various artistic expressions come together. For the search terms program, events, concert, or reading, this is an important finding: The mondo galerie is not only run as a static exhibition space but as a lively place with changing cultural occasions. ([mondo-atelier.de](https://www.mondo-atelier.de/))
Especially striking is the collaboration with guest artists. The gallery mentions Hubert Rieß, Barbara Dahms, Anita Leutwiler, Gabi Metzger, Claudia Stickel, Michael Borgelt, and Reinhard Schuster, as well as other positions from painting, jewelry, textile art, photography, glass, or sculpture. This shows a consciously curated mix that makes different techniques and materials visible side by side. The selection of themes ranges from animal representations to glass, stone, and paper to color-intensive or experimental projects. From an SEO perspective, this is the core of the search queries surrounding guest artists, exhibitions ansbach, and changing exhibitions: The place does not offer a rigid permanent display but a changing artistic dialogue that regularly provides new reasons for a visit. ([mondo-atelier.de](https://www.mondo-atelier.de/))
Motifs, Working Methods, and Artistic Profile of Annelies Schindler
The artistic profile of Annelies Schindler is clearly oriented towards drawing, painting, and motifs influenced by humans and animals. In the Kulturforum, she describes her motivation as working on relationships: with other people, with animals, with the environment, and with herself. Relationships are emotional, enriching, sometimes disturbing or disappointing, and this tension is the driving force behind her artistic work. As a technical basis, she cites drawing craftsmanship, supplemented by acrylic and oil paints, pastel and oil crayons, charcoal, and mixed media. For search terms like annelies schindler, motifs, working methods, or portraits, this is central because the artistic practice is not reduced to a single material but encompasses a broad, consciously employed palette of techniques. ([kulturforum-ansbach.de](https://www.kulturforum-ansbach.de/unsere-kuenstler-innen/mondo-annelies-schindler))
Especially notable is her oil-wiping technique developed since 2018 on OSB chipboard, which she regularly uses in monochrome or colored underpainting and which is legally protected for the EU and Switzerland, according to the Kulturforum. This surface design gives the works their own materiality and distinguishes them from pure canvas painting. The official artist page adds that the technique was documented in a separate brochure from 2018 to 2021. Additionally, detailed animal portraits are highlighted as a specialty. Those searching for animal portraits, wiping technique, or oil paintings will encounter a clearly identifiable signature that combines craftsmanship precision with emotional motif selection. ([kulturforum-ansbach.de](https://www.kulturforum-ansbach.de/unsere-kuenstler-innen/mondo-annelies-schindler))
The world of motifs is also broad. The website features its own sections for nude painting, portraits, animals, nature, still life, architecture, and fantasy; additionally, the career path mentions landscapes and flowers as well as earlier studies and courses in drawing, painting techniques, and expressive painting. This thematic variety explains why the gallery functions not only as an exhibition space but also as a personal artist studio. The combination of figurative, animal, botanical, and architectural motifs makes the offering accessible to very different target groups: people seeking emotional portraits, as well as visitors interested in animal representations, nature motifs, or experimental mixed techniques. This mixture of specialization and variety is a strong feature for visibility in search. ([mondo-atelier.de](https://www.mondo-atelier.de/%C3%BCber-mich.php?utm_source=openai))
Art Cards, Book Covers, and Commissioned Works
Another important topic for search is the question of art cards and commissioned works. The homepage of the official website mentions a large selection of 125 different postcards with painted images, available in several formats, including landscape and portrait formats as well as square variants. These cards show that the artistic work is not only conceived as a single image but also made accessible in reproducible form. For visitors to the gallery, this is attractive because an art visit can thus be connected with a tangible takeaway product. At the same time, the offer refers to the continuity of the artistic oeuvre, as the cards are based on Annelies Schindler's own works. ([mondo-atelier.de](https://www.mondo-atelier.de/))
Book covers and literary projects are also part of the portfolio. The website shows commissioned works for book covers, including the new Ansbach crime novel by Hermann Lennert, as well as other paperback and hardcover editions. Additionally, the children's picture book “The Little Sparrow Pieps” is listed, which is available from three years old and appears in both Schaffhauser dialect and standard German; the illustration is by Annelies Schindler, and the text is by Ruth Blattmann. This makes it clear that the artistic practice extends beyond the gallery into the realm of publication and visual storytelling. Search queries for book cover commissions or children's books thus encounter real, already documented works and not just a general performance promise. ([mondo-atelier.de](https://www.mondo-atelier.de/buchcovers.php?utm_source=openai))
Additionally, catalogs, brochures, and thematic projects are included. The website lists annual catalogs from 2014 to 2024, as well as a catalog for the art project in Mumbai 2022, the catalog “My India” for 2025, and a brochure on the oil and charcoal wiping technique from 2018 to 2021. The postcards and printed products are not merely merchandising but document the artistic inventory and make development lines visible. The project “Agri in Horizon - A green Horizon” with Indian artist Rachana Nagarkar also shows that international collaboration is part of the profile. This creates a picture of commissioned work, documentation, and thematic development that makes the mondo galerie relevant for different search intentions. ([mondo-atelier.de](https://www.mondo-atelier.de/))
Career, Memberships, and Regional Networking
Annelies Schindler's career shows a long and multifaceted development towards her current role as an artist and gallery operator. The official site mentions stages such as the part-time study of Fine Arts at the Faber-Castell Academy, life drawing with Edgar Leissing, free drawing and painting courses in St. Gallen, further training at the Free Art Academy Augsburg, and the development of her own painting techniques. It is also noted that she has intensified her artistic activity since 2012 and has developed the oil-wiping technique on OSB since 2018. This chronological depth is particularly relevant for search queries related to about me, artistic career, or painter, as it embeds today's gallery work in a comprehensible development. ([mondo-atelier.de](https://www.mondo-atelier.de/%C3%BCber-mich.php?utm_source=openai))
The regional and supra-regional networking is also well documented. The Kulturforum Ansbach mentions memberships in GEDOK Franken, KUN:ST International, and the Kulturforum Ansbach itself. It is also noted there that Annelies Schindler has exhibited over 80 times nationally and internationally and was awarded Artist of the Year 2023 in the district of Roth. Additionally, the artist name mondo has emerged from an insider name since her high school days. This information not only helps in understanding the person behind the gallery but also in search queries related to kulturforum, artist of the year, or gedok franken. They emphasize that the mondo galerie does not operate in isolation but is anchored in a larger cultural network. ([kulturforum-ansbach.de](https://www.kulturforum-ansbach.de/unsere-kuenstler-innen/mondo-annelies-schindler))
The local history of the location also plays a role. The gallery was initially present in the Ansbach old town at Platenstraße 14 before moving to the House for Art at Platenstraße 4. The development of Ansbach through Spalt to the current address shows that the place has emerged from a longer biographical and spatial movement. For visitors, this is interesting because it gives the place depth: the gallery has not simply been newly opened but stands on a developed foundation of studio practice, exhibition work, and regional presence. Therefore, those visiting the mondo galerie encounter a location that not only shows art but organizes itself as a grown artistic way of life. ([mondo-atelier.de](https://www.mondo-atelier.de/%C3%BCber-mich.php?utm_source=openai))
Sources:
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mondo galerie - Annelies Schindler | Studio & Art
The mondo galerie by Annelies Schindler is much more than just an exhibition space in Ansbach. Located in the House for Art at Platenstraße 4, it combines gallery, studio, workshop, and creative meeting space into a comprehensive location where painting, guest contributions, and special events are closely intertwined. Those searching for mondo galerie ansbach, annelies schindler, opening hours, directions, or parking will find a place that is consciously run personally while remaining open to changing art forms. The location in the Ansbach old town, the mix of its own works and guest artists, as well as the regular program with openings, concerts, and readings shape the profile of this venue. ([mondo-atelier.de](https://www.mondo-atelier.de/))
Opening Hours, Directions, and Parking in the Ansbach Old Town
The mondo galerie is located in the House for Art, Platenstraße 4, 91522 Ansbach, and is thus positioned right in the old town. The website describes the location very specifically: about 20 meters from Martin-Luther-Platz and around 3 minutes from Rezat parking lot. This proximity to the city center is practical for visitors, as the walk remains short and the gallery visit can be easily combined with a stroll through the old town. At the same time, the address on a side street ensures that the place retains a quiet, focused character despite its central location. ([mondo-atelier.de](https://www.mondo-atelier.de/mondo-galerie-ansbach.php))
The regular opening hours, according to the official site, are Wednesday, Saturday, and Sunday from 2 PM to 5 PM. Additionally, the gallery is open by appointment, even on weekends and holidays, and the contact page explicitly states that appointments can also be made by phone or email. For inquiries regarding opening hours, Wednesday, Saturday, Sunday, or by appointment, this is particularly relevant because the gallery is not only bound to fixed visiting windows but can also respond flexibly to requests. Especially during exhibitions, the times may vary, so a quick look at the current notices remains sensible. ([mondo-atelier.de](https://www.mondo-atelier.de/contact-us.php?utm_source=openai))
Another practical point is the so-called active winter rest: From Christmas until the end of February, the gallery is only open by appointment, according to the official site. This allows the operation to respond to the seasonal structure of the house and makes it clear that visits in winter should be planned more consciously. This information is important for guests who come specifically for an exhibition, an art discussion, or a special appointment. The focus on appointments rather than pure walk-in business fits well with a location that understands art as a personal experience and not as an anonymous retail space. This also facilitates planning for groups, collectors, or interested parties traveling from afar. ([mondo-atelier.de](https://www.mondo-atelier.de/contact-us.php?utm_source=openai))
The House for Art: Spaces, History, and Special Use
The current mondo galerie is closely linked to the House for Art, which is described as a space for gallery, workshop, studio, and storage. The official artist page notes that the location was established in 2024 in Ansbach at Platenstraße 4, creating a new organizational center for Annelies Schindler's work. In retrospect, it also becomes clear that the gallery was still present in the Ansbach old town at Platenstraße 14 in 2023 before moving to the new House for Art. For the search terms house for art ansbach or studio gallery ansbach, this connection between development and location change is crucial. ([mondo-atelier.de](https://www.mondo-atelier.de/%C3%BCber-mich.php?utm_source=openai))
The house is not only an exhibition space but a consciously multifunctional place. The official description speaks of an artist house that offers space for creative activities and is open not only for painting but also for other art forms and interdisciplinary actions. Mentioned are an exhibition space, a spacious workshop, an office, dry storage rooms, and a rooftop apartment for temporary artist stays. Additionally, according to the gallery page, a rooftop apartment will even be available from mid-April 2026, further shaping the concept of creative stays that combine living, working, viewing, and possibly exhibiting under one roof. This makes the location interesting for artists who want to immerse themselves in the environment for a period rather than just visiting briefly. ([kulturforum-ansbach.de](https://www.kulturforum-ansbach.de/unsere-kuenstler-innen/mondo-annelies-schindler))
Also noteworthy is the idea of openness. The House for Art is not a closed white cube space without context but a lively working environment where exhibition, production, and encounter intertwine. The gallery speaks of monthly changing exhibitions that are complemented by events and guest contributions. This not only allows for continuous thematic renewal but also a strong identification with the place. For visitors, this creates a place that feels different at each appointment: sometimes focused on new painting, sometimes expanded by music, readings, or an artist discussion. This combination of architecture, use, and program forms the profile of the House for Art and explains why it is perceived as a special cultural place in Ansbach. ([mondo-atelier.de](https://www.mondo-atelier.de/))
Exhibitions, Guest Artists, and the Current Program
A central search interest surrounding the mondo galerie concerns exhibitions and the current program. The official website makes it clear that monthly changing exhibitions by Annelies Schindler and guest artists are shown in the House for Art. The documented titles range from “Back,” “Wiped Out,” and “PhantUpcycled” to “WinterWorld,” “Towards the Sun,” “Crosswise,” “Vital,” and “FINE ART - in a fine way” to “Who We Are,” “They Don’t Speak, But Say Everything,” “Light and Form,” “ansBACH,” “Stone & Paper,” “retro 15,” and “hunD+CHatz.” This range shows that the place is thematically open while clearly focusing on artistic quality and a distinct signature. ([mondo-atelier.de](https://www.mondo-atelier.de/mondo-galerie-ansbach.php))
Furthermore, the program points are not limited to hanging and opening. The gallery documentation includes author readings, music evenings, artist discussions, and concerts. Among others, a reading with Hermann Lennert, a concert with Alejandro Conza, a reading walk in the Ansbach city center, and events with Pohl&Pohl are mentioned. This expands the place from a pure art exhibition to a cultural address where various artistic expressions come together. For the search terms program, events, concert, or reading, this is an important finding: The mondo galerie is not only run as a static exhibition space but as a lively place with changing cultural occasions. ([mondo-atelier.de](https://www.mondo-atelier.de/))
Especially striking is the collaboration with guest artists. The gallery mentions Hubert Rieß, Barbara Dahms, Anita Leutwiler, Gabi Metzger, Claudia Stickel, Michael Borgelt, and Reinhard Schuster, as well as other positions from painting, jewelry, textile art, photography, glass, or sculpture. This shows a consciously curated mix that makes different techniques and materials visible side by side. The selection of themes ranges from animal representations to glass, stone, and paper to color-intensive or experimental projects. From an SEO perspective, this is the core of the search queries surrounding guest artists, exhibitions ansbach, and changing exhibitions: The place does not offer a rigid permanent display but a changing artistic dialogue that regularly provides new reasons for a visit. ([mondo-atelier.de](https://www.mondo-atelier.de/))
Motifs, Working Methods, and Artistic Profile of Annelies Schindler
The artistic profile of Annelies Schindler is clearly oriented towards drawing, painting, and motifs influenced by humans and animals. In the Kulturforum, she describes her motivation as working on relationships: with other people, with animals, with the environment, and with herself. Relationships are emotional, enriching, sometimes disturbing or disappointing, and this tension is the driving force behind her artistic work. As a technical basis, she cites drawing craftsmanship, supplemented by acrylic and oil paints, pastel and oil crayons, charcoal, and mixed media. For search terms like annelies schindler, motifs, working methods, or portraits, this is central because the artistic practice is not reduced to a single material but encompasses a broad, consciously employed palette of techniques. ([kulturforum-ansbach.de](https://www.kulturforum-ansbach.de/unsere-kuenstler-innen/mondo-annelies-schindler))
Especially notable is her oil-wiping technique developed since 2018 on OSB chipboard, which she regularly uses in monochrome or colored underpainting and which is legally protected for the EU and Switzerland, according to the Kulturforum. This surface design gives the works their own materiality and distinguishes them from pure canvas painting. The official artist page adds that the technique was documented in a separate brochure from 2018 to 2021. Additionally, detailed animal portraits are highlighted as a specialty. Those searching for animal portraits, wiping technique, or oil paintings will encounter a clearly identifiable signature that combines craftsmanship precision with emotional motif selection. ([kulturforum-ansbach.de](https://www.kulturforum-ansbach.de/unsere-kuenstler-innen/mondo-annelies-schindler))
The world of motifs is also broad. The website features its own sections for nude painting, portraits, animals, nature, still life, architecture, and fantasy; additionally, the career path mentions landscapes and flowers as well as earlier studies and courses in drawing, painting techniques, and expressive painting. This thematic variety explains why the gallery functions not only as an exhibition space but also as a personal artist studio. The combination of figurative, animal, botanical, and architectural motifs makes the offering accessible to very different target groups: people seeking emotional portraits, as well as visitors interested in animal representations, nature motifs, or experimental mixed techniques. This mixture of specialization and variety is a strong feature for visibility in search. ([mondo-atelier.de](https://www.mondo-atelier.de/%C3%BCber-mich.php?utm_source=openai))
Art Cards, Book Covers, and Commissioned Works
Another important topic for search is the question of art cards and commissioned works. The homepage of the official website mentions a large selection of 125 different postcards with painted images, available in several formats, including landscape and portrait formats as well as square variants. These cards show that the artistic work is not only conceived as a single image but also made accessible in reproducible form. For visitors to the gallery, this is attractive because an art visit can thus be connected with a tangible takeaway product. At the same time, the offer refers to the continuity of the artistic oeuvre, as the cards are based on Annelies Schindler's own works. ([mondo-atelier.de](https://www.mondo-atelier.de/))
Book covers and literary projects are also part of the portfolio. The website shows commissioned works for book covers, including the new Ansbach crime novel by Hermann Lennert, as well as other paperback and hardcover editions. Additionally, the children's picture book “The Little Sparrow Pieps” is listed, which is available from three years old and appears in both Schaffhauser dialect and standard German; the illustration is by Annelies Schindler, and the text is by Ruth Blattmann. This makes it clear that the artistic practice extends beyond the gallery into the realm of publication and visual storytelling. Search queries for book cover commissions or children's books thus encounter real, already documented works and not just a general performance promise. ([mondo-atelier.de](https://www.mondo-atelier.de/buchcovers.php?utm_source=openai))
Additionally, catalogs, brochures, and thematic projects are included. The website lists annual catalogs from 2014 to 2024, as well as a catalog for the art project in Mumbai 2022, the catalog “My India” for 2025, and a brochure on the oil and charcoal wiping technique from 2018 to 2021. The postcards and printed products are not merely merchandising but document the artistic inventory and make development lines visible. The project “Agri in Horizon - A green Horizon” with Indian artist Rachana Nagarkar also shows that international collaboration is part of the profile. This creates a picture of commissioned work, documentation, and thematic development that makes the mondo galerie relevant for different search intentions. ([mondo-atelier.de](https://www.mondo-atelier.de/))
Career, Memberships, and Regional Networking
Annelies Schindler's career shows a long and multifaceted development towards her current role as an artist and gallery operator. The official site mentions stages such as the part-time study of Fine Arts at the Faber-Castell Academy, life drawing with Edgar Leissing, free drawing and painting courses in St. Gallen, further training at the Free Art Academy Augsburg, and the development of her own painting techniques. It is also noted that she has intensified her artistic activity since 2012 and has developed the oil-wiping technique on OSB since 2018. This chronological depth is particularly relevant for search queries related to about me, artistic career, or painter, as it embeds today's gallery work in a comprehensible development. ([mondo-atelier.de](https://www.mondo-atelier.de/%C3%BCber-mich.php?utm_source=openai))
The regional and supra-regional networking is also well documented. The Kulturforum Ansbach mentions memberships in GEDOK Franken, KUN:ST International, and the Kulturforum Ansbach itself. It is also noted there that Annelies Schindler has exhibited over 80 times nationally and internationally and was awarded Artist of the Year 2023 in the district of Roth. Additionally, the artist name mondo has emerged from an insider name since her high school days. This information not only helps in understanding the person behind the gallery but also in search queries related to kulturforum, artist of the year, or gedok franken. They emphasize that the mondo galerie does not operate in isolation but is anchored in a larger cultural network. ([kulturforum-ansbach.de](https://www.kulturforum-ansbach.de/unsere-kuenstler-innen/mondo-annelies-schindler))
The local history of the location also plays a role. The gallery was initially present in the Ansbach old town at Platenstraße 14 before moving to the House for Art at Platenstraße 4. The development of Ansbach through Spalt to the current address shows that the place has emerged from a longer biographical and spatial movement. For visitors, this is interesting because it gives the place depth: the gallery has not simply been newly opened but stands on a developed foundation of studio practice, exhibition work, and regional presence. Therefore, those visiting the mondo galerie encounter a location that not only shows art but organizes itself as a grown artistic way of life. ([mondo-atelier.de](https://www.mondo-atelier.de/%C3%BCber-mich.php?utm_source=openai))
Sources:
mondo galerie - Annelies Schindler | Studio & Art
The mondo galerie by Annelies Schindler is much more than just an exhibition space in Ansbach. Located in the House for Art at Platenstraße 4, it combines gallery, studio, workshop, and creative meeting space into a comprehensive location where painting, guest contributions, and special events are closely intertwined. Those searching for mondo galerie ansbach, annelies schindler, opening hours, directions, or parking will find a place that is consciously run personally while remaining open to changing art forms. The location in the Ansbach old town, the mix of its own works and guest artists, as well as the regular program with openings, concerts, and readings shape the profile of this venue. ([mondo-atelier.de](https://www.mondo-atelier.de/))
Opening Hours, Directions, and Parking in the Ansbach Old Town
The mondo galerie is located in the House for Art, Platenstraße 4, 91522 Ansbach, and is thus positioned right in the old town. The website describes the location very specifically: about 20 meters from Martin-Luther-Platz and around 3 minutes from Rezat parking lot. This proximity to the city center is practical for visitors, as the walk remains short and the gallery visit can be easily combined with a stroll through the old town. At the same time, the address on a side street ensures that the place retains a quiet, focused character despite its central location. ([mondo-atelier.de](https://www.mondo-atelier.de/mondo-galerie-ansbach.php))
The regular opening hours, according to the official site, are Wednesday, Saturday, and Sunday from 2 PM to 5 PM. Additionally, the gallery is open by appointment, even on weekends and holidays, and the contact page explicitly states that appointments can also be made by phone or email. For inquiries regarding opening hours, Wednesday, Saturday, Sunday, or by appointment, this is particularly relevant because the gallery is not only bound to fixed visiting windows but can also respond flexibly to requests. Especially during exhibitions, the times may vary, so a quick look at the current notices remains sensible. ([mondo-atelier.de](https://www.mondo-atelier.de/contact-us.php?utm_source=openai))
Another practical point is the so-called active winter rest: From Christmas until the end of February, the gallery is only open by appointment, according to the official site. This allows the operation to respond to the seasonal structure of the house and makes it clear that visits in winter should be planned more consciously. This information is important for guests who come specifically for an exhibition, an art discussion, or a special appointment. The focus on appointments rather than pure walk-in business fits well with a location that understands art as a personal experience and not as an anonymous retail space. This also facilitates planning for groups, collectors, or interested parties traveling from afar. ([mondo-atelier.de](https://www.mondo-atelier.de/contact-us.php?utm_source=openai))
The House for Art: Spaces, History, and Special Use
The current mondo galerie is closely linked to the House for Art, which is described as a space for gallery, workshop, studio, and storage. The official artist page notes that the location was established in 2024 in Ansbach at Platenstraße 4, creating a new organizational center for Annelies Schindler's work. In retrospect, it also becomes clear that the gallery was still present in the Ansbach old town at Platenstraße 14 in 2023 before moving to the new House for Art. For the search terms house for art ansbach or studio gallery ansbach, this connection between development and location change is crucial. ([mondo-atelier.de](https://www.mondo-atelier.de/%C3%BCber-mich.php?utm_source=openai))
The house is not only an exhibition space but a consciously multifunctional place. The official description speaks of an artist house that offers space for creative activities and is open not only for painting but also for other art forms and interdisciplinary actions. Mentioned are an exhibition space, a spacious workshop, an office, dry storage rooms, and a rooftop apartment for temporary artist stays. Additionally, according to the gallery page, a rooftop apartment will even be available from mid-April 2026, further shaping the concept of creative stays that combine living, working, viewing, and possibly exhibiting under one roof. This makes the location interesting for artists who want to immerse themselves in the environment for a period rather than just visiting briefly. ([kulturforum-ansbach.de](https://www.kulturforum-ansbach.de/unsere-kuenstler-innen/mondo-annelies-schindler))
Also noteworthy is the idea of openness. The House for Art is not a closed white cube space without context but a lively working environment where exhibition, production, and encounter intertwine. The gallery speaks of monthly changing exhibitions that are complemented by events and guest contributions. This not only allows for continuous thematic renewal but also a strong identification with the place. For visitors, this creates a place that feels different at each appointment: sometimes focused on new painting, sometimes expanded by music, readings, or an artist discussion. This combination of architecture, use, and program forms the profile of the House for Art and explains why it is perceived as a special cultural place in Ansbach. ([mondo-atelier.de](https://www.mondo-atelier.de/))
Exhibitions, Guest Artists, and the Current Program
A central search interest surrounding the mondo galerie concerns exhibitions and the current program. The official website makes it clear that monthly changing exhibitions by Annelies Schindler and guest artists are shown in the House for Art. The documented titles range from “Back,” “Wiped Out,” and “PhantUpcycled” to “WinterWorld,” “Towards the Sun,” “Crosswise,” “Vital,” and “FINE ART - in a fine way” to “Who We Are,” “They Don’t Speak, But Say Everything,” “Light and Form,” “ansBACH,” “Stone & Paper,” “retro 15,” and “hunD+CHatz.” This range shows that the place is thematically open while clearly focusing on artistic quality and a distinct signature. ([mondo-atelier.de](https://www.mondo-atelier.de/mondo-galerie-ansbach.php))
Furthermore, the program points are not limited to hanging and opening. The gallery documentation includes author readings, music evenings, artist discussions, and concerts. Among others, a reading with Hermann Lennert, a concert with Alejandro Conza, a reading walk in the Ansbach city center, and events with Pohl&Pohl are mentioned. This expands the place from a pure art exhibition to a cultural address where various artistic expressions come together. For the search terms program, events, concert, or reading, this is an important finding: The mondo galerie is not only run as a static exhibition space but as a lively place with changing cultural occasions. ([mondo-atelier.de](https://www.mondo-atelier.de/))
Especially striking is the collaboration with guest artists. The gallery mentions Hubert Rieß, Barbara Dahms, Anita Leutwiler, Gabi Metzger, Claudia Stickel, Michael Borgelt, and Reinhard Schuster, as well as other positions from painting, jewelry, textile art, photography, glass, or sculpture. This shows a consciously curated mix that makes different techniques and materials visible side by side. The selection of themes ranges from animal representations to glass, stone, and paper to color-intensive or experimental projects. From an SEO perspective, this is the core of the search queries surrounding guest artists, exhibitions ansbach, and changing exhibitions: The place does not offer a rigid permanent display but a changing artistic dialogue that regularly provides new reasons for a visit. ([mondo-atelier.de](https://www.mondo-atelier.de/))
Motifs, Working Methods, and Artistic Profile of Annelies Schindler
The artistic profile of Annelies Schindler is clearly oriented towards drawing, painting, and motifs influenced by humans and animals. In the Kulturforum, she describes her motivation as working on relationships: with other people, with animals, with the environment, and with herself. Relationships are emotional, enriching, sometimes disturbing or disappointing, and this tension is the driving force behind her artistic work. As a technical basis, she cites drawing craftsmanship, supplemented by acrylic and oil paints, pastel and oil crayons, charcoal, and mixed media. For search terms like annelies schindler, motifs, working methods, or portraits, this is central because the artistic practice is not reduced to a single material but encompasses a broad, consciously employed palette of techniques. ([kulturforum-ansbach.de](https://www.kulturforum-ansbach.de/unsere-kuenstler-innen/mondo-annelies-schindler))
Especially notable is her oil-wiping technique developed since 2018 on OSB chipboard, which she regularly uses in monochrome or colored underpainting and which is legally protected for the EU and Switzerland, according to the Kulturforum. This surface design gives the works their own materiality and distinguishes them from pure canvas painting. The official artist page adds that the technique was documented in a separate brochure from 2018 to 2021. Additionally, detailed animal portraits are highlighted as a specialty. Those searching for animal portraits, wiping technique, or oil paintings will encounter a clearly identifiable signature that combines craftsmanship precision with emotional motif selection. ([kulturforum-ansbach.de](https://www.kulturforum-ansbach.de/unsere-kuenstler-innen/mondo-annelies-schindler))
The world of motifs is also broad. The website features its own sections for nude painting, portraits, animals, nature, still life, architecture, and fantasy; additionally, the career path mentions landscapes and flowers as well as earlier studies and courses in drawing, painting techniques, and expressive painting. This thematic variety explains why the gallery functions not only as an exhibition space but also as a personal artist studio. The combination of figurative, animal, botanical, and architectural motifs makes the offering accessible to very different target groups: people seeking emotional portraits, as well as visitors interested in animal representations, nature motifs, or experimental mixed techniques. This mixture of specialization and variety is a strong feature for visibility in search. ([mondo-atelier.de](https://www.mondo-atelier.de/%C3%BCber-mich.php?utm_source=openai))
Art Cards, Book Covers, and Commissioned Works
Another important topic for search is the question of art cards and commissioned works. The homepage of the official website mentions a large selection of 125 different postcards with painted images, available in several formats, including landscape and portrait formats as well as square variants. These cards show that the artistic work is not only conceived as a single image but also made accessible in reproducible form. For visitors to the gallery, this is attractive because an art visit can thus be connected with a tangible takeaway product. At the same time, the offer refers to the continuity of the artistic oeuvre, as the cards are based on Annelies Schindler's own works. ([mondo-atelier.de](https://www.mondo-atelier.de/))
Book covers and literary projects are also part of the portfolio. The website shows commissioned works for book covers, including the new Ansbach crime novel by Hermann Lennert, as well as other paperback and hardcover editions. Additionally, the children's picture book “The Little Sparrow Pieps” is listed, which is available from three years old and appears in both Schaffhauser dialect and standard German; the illustration is by Annelies Schindler, and the text is by Ruth Blattmann. This makes it clear that the artistic practice extends beyond the gallery into the realm of publication and visual storytelling. Search queries for book cover commissions or children's books thus encounter real, already documented works and not just a general performance promise. ([mondo-atelier.de](https://www.mondo-atelier.de/buchcovers.php?utm_source=openai))
Additionally, catalogs, brochures, and thematic projects are included. The website lists annual catalogs from 2014 to 2024, as well as a catalog for the art project in Mumbai 2022, the catalog “My India” for 2025, and a brochure on the oil and charcoal wiping technique from 2018 to 2021. The postcards and printed products are not merely merchandising but document the artistic inventory and make development lines visible. The project “Agri in Horizon - A green Horizon” with Indian artist Rachana Nagarkar also shows that international collaboration is part of the profile. This creates a picture of commissioned work, documentation, and thematic development that makes the mondo galerie relevant for different search intentions. ([mondo-atelier.de](https://www.mondo-atelier.de/))
Career, Memberships, and Regional Networking
Annelies Schindler's career shows a long and multifaceted development towards her current role as an artist and gallery operator. The official site mentions stages such as the part-time study of Fine Arts at the Faber-Castell Academy, life drawing with Edgar Leissing, free drawing and painting courses in St. Gallen, further training at the Free Art Academy Augsburg, and the development of her own painting techniques. It is also noted that she has intensified her artistic activity since 2012 and has developed the oil-wiping technique on OSB since 2018. This chronological depth is particularly relevant for search queries related to about me, artistic career, or painter, as it embeds today's gallery work in a comprehensible development. ([mondo-atelier.de](https://www.mondo-atelier.de/%C3%BCber-mich.php?utm_source=openai))
The regional and supra-regional networking is also well documented. The Kulturforum Ansbach mentions memberships in GEDOK Franken, KUN:ST International, and the Kulturforum Ansbach itself. It is also noted there that Annelies Schindler has exhibited over 80 times nationally and internationally and was awarded Artist of the Year 2023 in the district of Roth. Additionally, the artist name mondo has emerged from an insider name since her high school days. This information not only helps in understanding the person behind the gallery but also in search queries related to kulturforum, artist of the year, or gedok franken. They emphasize that the mondo galerie does not operate in isolation but is anchored in a larger cultural network. ([kulturforum-ansbach.de](https://www.kulturforum-ansbach.de/unsere-kuenstler-innen/mondo-annelies-schindler))
The local history of the location also plays a role. The gallery was initially present in the Ansbach old town at Platenstraße 14 before moving to the House for Art at Platenstraße 4. The development of Ansbach through Spalt to the current address shows that the place has emerged from a longer biographical and spatial movement. For visitors, this is interesting because it gives the place depth: the gallery has not simply been newly opened but stands on a developed foundation of studio practice, exhibition work, and regional presence. Therefore, those visiting the mondo galerie encounter a location that not only shows art but organizes itself as a grown artistic way of life. ([mondo-atelier.de](https://www.mondo-atelier.de/%C3%BCber-mich.php?utm_source=openai))
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